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Dez. 19.

List of commercial video games with available source code


The source code of these commercially developed and distributed video games is available to the public or the games‘ communities.

Commercial video games are typically developed as proprietary closed source software products water bottle reusable, with the source code treated as a trade secret (unlike open-source video games). When there is no more expected revenue, these games enter the end-of-life as a product with no support or availability for the game’s users and community, becoming abandonware.

In several of the cases listed here, the game’s developers released the source code expressly to prevent their work from becoming abandonware. Such source code is often released under varying (free and non-free, commercial and non-commercial) software licenses to the games‘ communities or the public; artwork and data are often released under a different license than the source code, as the copyright situation is different or more complicated. The source code may be pushed by the developers to public repositories (e.g. Sourceforge or GitHub), or given to selected game community members, or sold with the game, or become available by other means. The game may be written in an interpreted language such as BASIC or Python, and distributed as raw source code without being compiled; early software was often distributed in text form, as in the book BASIC Computer Games. In some cases when a game’s source code is not available by other means, the game’s community „reconstructs“ source code from compiled binary files through time-demanding reverse engineering techniques. Source code availability in whatever form allows the games‘ communities to study how the game works, make modifications, and provide technical support themselves when the official support has ended, e lightweight running hydration pack.g. with unofficial patches to fix bugs or source ports to make the game compatible with new platforms.

The game’s community produced later many mods, total conversations and optimization patches for the game.

The table below with available source code resulted not from correct releases of companies or IP holders but from unclear release situations, like lost & found and leaks of unclear legality (e.g. by an individual developer on end-of-product-life) or undeleted content.

Once games, or software in general, become an obsolete product for a company, the tools and source code required to re-create the game are often lost or even actively destroyed and deleted. On the closure of Atari in Sunnyvale, California in 1996, the original source code of several milestones of video game history (like Asteroids or Centipede) were thrown out as trash.

When much time and manual work is invested it is however still possible to recover or restore a source code variant which replicates the program’s functions accurately from the binary program. Techniques used here are decompiling, disassembling and reverse engineering the binary executable

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. This approach typically does not result in the exact original source code but a diverging version as a binary program does not contain all information originally carried in the original source code. Comments and function names cannot be restored if the program was compiled without additional debug information. The here given in „bottom up“ development methodology re-created source-code of games is able to replicate the behaviour of the original game exactly („clock-cycle accurate“, „pixel-per-pixel accurate“), unlike game engine recreations which are often made in top down methodology resulting in general game engines and not accurately representing the original game.


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Mrz. 03.

Mark Rycroft


Mark Rycroft (* 12. Juli 1978 in Penticton football clubs t shirts, British Columbia) ist ein ehemaliger kanadischer Eishockeyspieler, der in seiner aktiven Zeit von 1995 bis 2008 unter anderem für die St goalkeeper gloves sale uk. Louis Blues und Colorado Avalanche in der National Hockey League gespielt hat.

Mark Rycroft begann seine Karriere als Eishockeyspieler bei den Nanaimo Clippers, für die er von 1995 bis 1997 in der British Columbia Hockey League aktiv war. Anschließend spielte der Angreifer drei Jahre lang für die Mannschaft der University of Denver, bevor er am 15. Mai 2000 als Free Agent einen Vertrag bei den St. Louis Blues erhielt. In seinen ersten drei Spielzeiten im Franchise der Blues absolvierte er nur neun Spiele für St

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. Louis in der National Hockey League und verbrachte die gesamte restliche Zeit in der American Hockey League bei deren Farmteam, den Worcester IceCats.

In der Saison 2003/04 gelang Rycroft der Durchbruch in der NHL. In seiner ersten kompletten Spielzeit bei den Blues erzielte er in 74 Spielen neun Tore und gab zwölf Vorlagen. Den Lockout während der NHL-Saison 2004/05 verbrachte er beim Briançon HC in der französischen Ligue Magnus. Nach Wiederaufnahme des Spielbetriebs kehrte der Rechtsschütze zunächst nach St. Louis zurück, unterschrieb im Sommer 2006 jedoch bei deren Ligarivalen Colorado Avalanche. In der Saison 2007/08 kam er nur in Colorados AHL-Farmteam Lake Erie Monsters zum Einsatz, so dass er am 22

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. Januar 2008 im Tausch für Darcy Campbell und Philippe Dupuis zu den Columbus Blue Jackets transferiert wurde.

Nachdem Rycroft bis Saisonende auch in Columbus nur in deren AHL-Farmteam Syracuse Crunch eingesetzt wurde, beschloss er die Saison 2008/09 beim HK Dinamo Minsk aus der neugegründeten Kontinentalen Hockey-Liga zu verbringen. Die Weißrussen entließen den Kanadier jedoch noch vor dem ersten Saisonspiel aus seinem Vertrag, woraufhin er im Alter von 30 Jahren seine aktive Laufbahn beendete. Seither arbeitet er als Videoanalyst für Altitude Sports and Entertainment, der die Spiele seines Ex-Klubs Colorado Avalanche im TV überträgt.


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Nov. 30.

Prisión de San Pedro


La prisión de San Pedro o el Penal de San Pedro es la prisión más grande de Bolivia ubicada en la ciudad de La Paz. Es reconocida principalmente por tener una sociedad interna.

La prisión o Penal de San Pedro es particularmente diferente de las demás prisiones, los reos en esta prisión tienen trabajos dentro de las instalaciones, pagan o alquilan sus dormitorios, y a menudo viven con sus familiares. La venta de cocaína a los turistas otorga a los reclusos una significante entrada de dinero y un inusual sentimiento de libertad dentro de las paredes de la prisión. Líderes de la prisión elegidos previamente hacen cumplir las leyes de la comunidad waist bag belt, donde los ataques con armas punzo-cortantes son cosa común.

La prisión alberga aproximadamente 1,500 reos, más los invitados que se hospedan en el hotel de la prisión. El libro “Marching powder” (“Polvo que se va” en español), escrito por Rusty Young, acerca de sus experiencias durante una estancia de cuatro meses de visita en la prisión fue publicado en el año 2003. (La propuesta de la novela de Rusty Young, basada en las experiencias propias y las de Thomas McFadden (un ex recluso de San Pedro), no es una referencia que deba ser considerada como oficial. Se trata de una novela, en la que se destacan aspectos de trama atractiva al lector

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. La enciclopedia libre puede contar con otra información de fuentes válidas).

La prisión está dividida en ocho sectores con distintos grados de lujos cada una, las celdas se venden o rentan por el tiempo que dure la condena del prisionero. Las áreas más caras proveen a los reos de baños propios, una cocina stainless steel water bottle personalized, y televisión por cable; éstas celdas son vendidas por alrededor de 15,000 dólares estadounidenses. Un preso puede pagar por una extensión a dos pisos para poder tener una vista a través de la ciudad. Aun así, la mayor parte de los reos viven en condiciones restringidas por lo que comúnmente viven cinco personas en un solo cuarto-celda.

Las áreas más acaudaladas tienen sus propios puestos de ventas y áreas destinadas a juegos como billar y damas chinas. Las cantina y los restaurantes son propiedad de los reos y son operados por ellos mismos. También hay lugares que venden productos de abarrotes e ingredientes para que los reos cocinen su comida.

Una cancha de fútbol es uno de los recintos abiertos más grandes dentro de la carcel, con equipos que representan a cada uno de los ocho sectores, los cuales compiten con regularidad vintage football shirts. Paredes adentro existe también un hotel para visitas, un hospital, y una iglesia .

Dentro del Penal de San Pedro los reos han desarrollado sus propias leyes y reglas. Cada sector elige anualmente un delegado (líder) y un tesorero. existe muy poca tolerancia hacia aquellos que han cometido crímenes en contra de mujeres o niños y estos son severamente castigados por los otros reos. Muchos han muerto, y aquellos que sobreviven deben pagar por los servicios del hospital del penal.

Coordenadas:


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Sep. 28.

Vigoulet-Auzil


Vigoulet-Auzil – miejscowość i gmina we Francji, w regionie Midi-Pyrénées

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, w departamencie Górna Garonna.

Według danych na rok 1990 gminę zamieszkiwało 927 osób, a gęstość zaludnienia wynosiła 268 osób/km² (wśród 3020 gmin regionu Midi-Pyrénées Vigoulet-Auzil plasuje się na 357. miejscu pod względem liczby ludności, natomiast pod względem powierzchni na miejscu 1613.)

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Sep. 27.

Nora Nicholson


Nora Nicholson (7 December 1892 – 18 September 1973) was an English actress. Known for her portrayal of character roles, she achieved her greatest success in the later years of her career. She played in classics by Shakespeare and Chekhov and in new plays by authors including Noël Coward and Alan Bennett. Many of her best-regarded performances were as eccentric or even unhinged characters.

In 1914 Nicholson joined the Old Vic company, where she played several Shakespearean roles

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, and during 1916 and 1917, she played Sally in a long tour of The Scarlet Pimpernel. From the 1920s to the 1940s, she played a variety of character roles on stage in England, France and North America. She achieved wider notice in the West End in 1947 for her role in Dark Summer and was admired in both London and New York in The Lady’s Not for Burning in 1949/50. She continued to be in demand for her stage roles into the 1970s.

From the 1950s she made regular television appearances and is probably best remembered for her part in the BBC’s The Forsyte Saga (1967)

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. She appeared in many British films, mostly comedies, but also in more serious films, including A Town Like Alice (1956). She continued to act until the year of her death.

Nicholson was born in Leamington, Warwickshire, the youngest child of the large family of the Rev John Aldwell Nicholson and his wife Editha, née Hunt. She was educated at Leamington High School. where a fellow student was a daughter of the actor Frank Benson. After further education in Germany, Nicholson joined Benson’s drama school before becoming a member of his company in 1912.

In April 1912 Nicholson made her professional stage debut, playing Dolly Clandon in Benson’s production of Shaw’s You Never Can Tell at the Shakespeare Memorial Theatre, Stratford-upon-Avon. She remained with Benson’s company throughout the 1912/13 season, and in 1914 she joined the Old Vic company playing Ariel in The Tempest, Titania in A Midsummer Night’s Dream, Jessica in The Merchant of Venice and Celia in As You Like It.

During 1916 and 1917 Nicholson toured as Sally in Fred Terry’s stage version of The Scarlet Pimpernel, after which she served in the Women’s Royal Naval Service, 1918–19. When she returned to the theatre after the war her career, according to her obituarist in The Times, „took a long time to develop“.

Between the wars Nicholson was constantly typecast in character parts that suited „her frail, eager, bright-eyed figure“. She had a few outstanding roles, among which were Charlotta, the governess, in The Cherry Orchard (1925), Mrs Debenham in the Broadway production of Rope (1929)

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, and Miss Trafalgar Gower in Trelawny of the Wells at the Old Vic (1938). Between these productions she played in London and on tour in England and Canada in a range of plays from Shakespeare to new drama. Among her more unusual productions during this period was a stage adaptation of The Well of Loneliness, banned in Britain and presented at the Théâtre de la Potinière in Paris in 1930.

During the Second World War Nicholson was a member of the Oxford Playhouse company, where she played one of her two favourite parts of her career, Mrs Boyle in Juno and the Paycock. She achieved local celebrity, but remained a lesser name in the West End. This changed in 1947, when her portrayal of a genteelly acid spinster in Wynyard Browne’s Dark Summer established her as a leading character actress. Throughout the rest of her career Nicholson was cast in a succession of striking stage roles, including Margaret in The Lady’s Not for Burning (1949, London, and 1950, New York), Miss Teresa in Graham Greene’s The Living Room (New York, 1954), Ivy in The Family Reunion (1956), Sarita in Waiting in the Wings (1960), Avdotya Nazarovna in John Gielgud’s production of Ivanov (1965), and Miss Nisbitt in Forty Years On (1968). Her last stage appearance was as the nurse in A Doll’s House in 1973.

Nicholson was in demand for television and cinema work. She is probably best known as Juley Forsyte in the BBC’s The Forsyte Saga (1967). Earlier she had played Clarissa Spenlow in a serial adaptation of David Copperfield (1956) and Miss Flyte in Bleak House (1959). Her last television role was in 1973 as Catherine Alan in an adaptation of A Room with a View. Her cinema films included Tread Softly (1952), Raising a Riot (1955), A Town Like Alice (1956)

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, The Captain’s Table (1959), Law and Disorder (1958), The Captain’s Table (1959) and Say Hello to Yesterday (1970).

In 1973 Nicholson published an autobiography, described by The Times as „quietly witty and generous“. She died in London in the same year, at the age of eighty.


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