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Jan. 01.

Sperm heteromorphism


Sperm heteromorphism is the simultaneous production of two or more distinguishable types of sperm by a single male. The sperm types might differ in size thermos sale, shape and/or chromosome complement. Sperm heteromorphism is also called sperm polymorphism or sperm dimorphism (for species with two sperm types). Typically, only one sperm type is capable of fertilizing eggs. Fertile types have been called „eusperm“ or „eupyrene sperm“ and infertile types „parasperm“ or „apyrene sperm“.

One interpretation of sperm polymorphism is the „kamikaze sperm“ hypothesis (Baker and Bellis, 1988) meat tenderising, which has been widely discredited in humans. The kamikaze sperm hypothesis states that the polymorphism of sperm is due to a subdivision of sperm into different functional groups

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. There are those that defend the egg from fertilization by other male sperm, and those that fertilize the egg. However, there is no evidence that the polymorphism of human sperm is for the purpose of antagonizing rival sperm.

Sperm heteromorphism is known from several different groups of animals.

The non-fertilising morph(s) have no function, and are simply developmental errors. This is thought to be unlikely in many sperm heteromorphic species because the production of infertile sperm may be highly regulated, and infertile sperm can make up >90% of the total sperm in some Lepidoptera and Drosophila.

The non-fertilising morph(s) are a means in which males can provide nutrition to the female, her eggs or the fertilising sperm.

The non-fertilising sperm help the fertilising sperm by assisting their transport or capacitation (i.e. the acquisition of fertilisation competence).

In silkworms, there is good evidence that fertile sperm are unable to fertilise if the non-fertile sperm are not present. The researchers artificially inseminated fertile sperm, non-fertile sperm or a mixture of both. Only the last group resulted in offspring production.

Non-fertile sperm increase the fertilisation success of the male producing them when sperm competition occurs. This might be offensive (e.g. displacing or even killing rival fertilising sperm) or defensive (e.g. by blocking areas of the female tract or creating a hostile pre-fertilisation environment).

Non-fertile sperm delay or prevent the female mating again, thus allowing the male producing the non-fertile sperm a greater share of the paternity of her offspring (because the male avoids Sperm competition). For example, sperm might fill up the sperm storage organs so that female „perceives“ that she does not need to re-mate to obtain more sperm. Alternatively, the sperm may transfer chemicals similar to sex peptide, a chemical carried on the sperm of Drosophila melanogaster that makes females less likely to accept mates (i

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.e. it is an anti-aphrodesiac).

There is correlational evidence for this theory in a butterfly, Pieris napi. Females that were receptive to a second mating had fewer of the non-fertile sperm type in storage than did non-receptive females. Thus, the infertile sperm may be responsible for delaying female remating.

This theory was also tested in the fruit-fly Drosophila pseudoobscura, but the results suggested that „cheap filler“ was not important in that species.


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Sep. 27.

Nora Nicholson


Nora Nicholson (7 December 1892 – 18 September 1973) was an English actress. Known for her portrayal of character roles, she achieved her greatest success in the later years of her career. She played in classics by Shakespeare and Chekhov and in new plays by authors including Noël Coward and Alan Bennett. Many of her best-regarded performances were as eccentric or even unhinged characters.

In 1914 Nicholson joined the Old Vic company, where she played several Shakespearean roles

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, and during 1916 and 1917, she played Sally in a long tour of The Scarlet Pimpernel. From the 1920s to the 1940s, she played a variety of character roles on stage in England, France and North America. She achieved wider notice in the West End in 1947 for her role in Dark Summer and was admired in both London and New York in The Lady’s Not for Burning in 1949/50. She continued to be in demand for her stage roles into the 1970s.

From the 1950s she made regular television appearances and is probably best remembered for her part in the BBC’s The Forsyte Saga (1967)

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. She appeared in many British films, mostly comedies, but also in more serious films, including A Town Like Alice (1956). She continued to act until the year of her death.

Nicholson was born in Leamington, Warwickshire, the youngest child of the large family of the Rev John Aldwell Nicholson and his wife Editha, née Hunt. She was educated at Leamington High School. where a fellow student was a daughter of the actor Frank Benson. After further education in Germany, Nicholson joined Benson’s drama school before becoming a member of his company in 1912.

In April 1912 Nicholson made her professional stage debut, playing Dolly Clandon in Benson’s production of Shaw’s You Never Can Tell at the Shakespeare Memorial Theatre, Stratford-upon-Avon. She remained with Benson’s company throughout the 1912/13 season, and in 1914 she joined the Old Vic company playing Ariel in The Tempest, Titania in A Midsummer Night’s Dream, Jessica in The Merchant of Venice and Celia in As You Like It.

During 1916 and 1917 Nicholson toured as Sally in Fred Terry’s stage version of The Scarlet Pimpernel, after which she served in the Women’s Royal Naval Service, 1918–19. When she returned to the theatre after the war her career, according to her obituarist in The Times, „took a long time to develop“.

Between the wars Nicholson was constantly typecast in character parts that suited „her frail, eager, bright-eyed figure“. She had a few outstanding roles, among which were Charlotta, the governess, in The Cherry Orchard (1925), Mrs Debenham in the Broadway production of Rope (1929)

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, and Miss Trafalgar Gower in Trelawny of the Wells at the Old Vic (1938). Between these productions she played in London and on tour in England and Canada in a range of plays from Shakespeare to new drama. Among her more unusual productions during this period was a stage adaptation of The Well of Loneliness, banned in Britain and presented at the Théâtre de la Potinière in Paris in 1930.

During the Second World War Nicholson was a member of the Oxford Playhouse company, where she played one of her two favourite parts of her career, Mrs Boyle in Juno and the Paycock. She achieved local celebrity, but remained a lesser name in the West End. This changed in 1947, when her portrayal of a genteelly acid spinster in Wynyard Browne’s Dark Summer established her as a leading character actress. Throughout the rest of her career Nicholson was cast in a succession of striking stage roles, including Margaret in The Lady’s Not for Burning (1949, London, and 1950, New York), Miss Teresa in Graham Greene’s The Living Room (New York, 1954), Ivy in The Family Reunion (1956), Sarita in Waiting in the Wings (1960), Avdotya Nazarovna in John Gielgud’s production of Ivanov (1965), and Miss Nisbitt in Forty Years On (1968). Her last stage appearance was as the nurse in A Doll’s House in 1973.

Nicholson was in demand for television and cinema work. She is probably best known as Juley Forsyte in the BBC’s The Forsyte Saga (1967). Earlier she had played Clarissa Spenlow in a serial adaptation of David Copperfield (1956) and Miss Flyte in Bleak House (1959). Her last television role was in 1973 as Catherine Alan in an adaptation of A Room with a View. Her cinema films included Tread Softly (1952), Raising a Riot (1955), A Town Like Alice (1956)

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, The Captain’s Table (1959), Law and Disorder (1958), The Captain’s Table (1959) and Say Hello to Yesterday (1970).

In 1973 Nicholson published an autobiography, described by The Times as „quietly witty and generous“. She died in London in the same year, at the age of eighty.


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Sep. 26.

San Remigio, Cebu


San Remigio (local pronunciation: /sænrəˈmiːjoʊ/) is a 3rd municipal income class municipality in the province of Cebu, Philippines. According to the 2015 census, it has a population of 57,557. In the 2016 election, it had 37,122 registered voters.

San Remigio celebrates its annual fiestas on 15 and 16 May in honor of their patron saints, San Isidro Labrador and San Juan Nepomuceno. The parish had just had their 150th anniversary since it has been founded in the year 1864.

San Remigio was formerly known as „Kanghagas“, a kind of tree that grew there in abundance. When the Spanish conquistadores came, they identified a town site by clearing the kanghagas trees through self-help labor. Kanghagas was a part of barangay Punta

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Initially the visita of Kanghagas was within the jurisdiction of Bantayan. In 1850 Bogo established a parish

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, and the three barrios of Kanghagas, Lambusan and Victoria (Maarat) became under the civil governance of Bogo. Kangahagas was renamed Isabel after the queen of Spain. In 1864 these barrios establish a new parish named as San Juan Nepomuceno Parish (Redondo 1886, p. 165) and a new town was called San Remigio.

San Remigio comprises 27 barangays:

In the 2016 election, it had 37,122 registered voters, meaning that 64% of the population are aged 18 and over.

San Remigio has the longest shoreline of any municipality in Cebu. There are several beach resorts, as well as public beaches with long stretches of white sand.

Today, San Remigio has become a new diving destination. There are a few marine sanctuaries, with new dive sites being developed all the time. A PADI dive shop in San Remigio Beach Club caters to beginner and experienced divers who want to enjoy San Remigio’s marine life.

The port of Hagnaya offers a frequent ferry service to Bantayan Island.

The town of San Remigio has many public elementary and secondary schools. Secondary schools are San Remigio National High School, Dapdap National High School, Lambusan National High School, Libaong National High School, Jose Martinez Memorial (Gawaygaway) National High School, San Miguel National High School & Luyang National High School. Each barangay has an elementary and primary school.

(Administratively independent from the province but grouped under Cebu by the . Mandaue is grouped under the 6th legislative district of Cebu but still independent from the province.)


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Sep. 20.

Division 1 (Frankreich) 2012/13


Die Saison 2012/13 der Division 1, der zweithöchsten französischen Eishockeyspielklasse wurde von den Lions de Lyon gewonnen, die dadurch in die Ligue Magnus aufstiegen. Die Bélougas de Toulouse-Blagnac und die Galaxians d’Amnéville stiegen in die Division 2 ab.

In der Hauptrunde absolvierten die 14 Mannschaften jeweils 26 Spiele. Die acht bestplatzierten Mannschaften qualifizierten sich für die Playoffs, in denen der Zweitligameister ausgespielt wurde. Die beiden Letztplatzierten der Hauptrunde stiegen direkt in die Division 2 ab. Für einen Sieg nach regulärer Spielzeit und Overtime erhielt jede Mannschaft zwei Punkte, bei einer Niederlage nach Overtime gab es einen Punkt und bei einer Niederlage nach regulärer Spielzeit null Punkte.

Frühere Spielzeiten | 1990/91 | 1991/92 | 1992/93 | 1993/94 | 1994/95 | 1995/96&nbsp

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;| 1996/97 | 1997/98 | 1998/99&nbsp

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Sep. 19.

Lendi Vexer


Lendi Vexer ist eine Trip-Hop-Band aus Argentinien. Sie wurde im Jahr 2000 gegründet und besteht aus Natalie Naveira (* 1976) und Diego „DG“ Guiñazu. Bei Live-Auftritten kommen verschiedene Gastmusiker hinzu.

Die erste EP mit vier Songs wurde 2002 im eigenen Studio aufgenommen

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, 2004 erschien eine Neuauflage mit einem zusätzlichen Song. Remixes entstanden von The Crimson Underground für das Titelstück Suicidal Adage und dem australischen DJ Tom Bollinger für den Song Nothing was special. 2005 dienten die Songs von Lendi Vexer als Soundtrack für Episode 10 der Serie The Scene

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. Der Song Tribute to Desolation erschien auch auf der Kompilation Wicked Electronic Beats Vol. 1. Im Jahr 2007 erschien das Album The Process of Disillusion mit 13 Songs beim argentinischen Label Stereotape Records. Es wird international von der amerikanischen Firma Super D Records vermarktet und ist auch im Internet über die Plattformen eMusic, iTunes und Napster erhältlich

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Die Band sieht sich als Vertreter eines „old school Bristol sound“, gekennzeichnet durch melancholische Liedtexte und Verwendung elektronischer Instrumente wie des Theremin.


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